**Uffizi Gallery**
So often buildings photographed at night become even more magical,
and the Uffizi is no exception.
Home to some of the world's most beautiful and impressive art works,
the building itself is also quite breathtaking in appearance.
It was commissioned by Cosimo I de' Medici in 1560 to house his magistrates' offices,
with the architect Giorgio Vasari (1511-1574) in charge of the design.
The plan of the building is horseshoe-shaped in layout,
with one long wing to the east, a short bottom portion that borders
the river Arno and a wing to the west.
So often buildings photographed at night become even more magical,
and the Uffizi is no exception.
Home to some of the world's most beautiful and impressive art works,
the building itself is also quite breathtaking in appearance.
It was commissioned by Cosimo I de' Medici in 1560 to house his magistrates' offices,
with the architect Giorgio Vasari (1511-1574) in charge of the design.
The plan of the building is horseshoe-shaped in layout,
with one long wing to the east, a short bottom portion that borders
the river Arno and a wing to the west.
Over the years, further parts of the palace
evolved into a display place for many of the paintings and sculpture collected
by the House
of Medici or commissioned by them. According to Vasari, who was
the architect of the Uffizi, artists such as Leonardo da
Vinci and Michelangelo gathered at
the Uffizi "for beauty,
for work and for recreation".
The Uffizi was the world's first public art museum in 1591.
for work and for recreation".
The Uffizi was the world's first public art museum in 1591.
Many art museums start with a small, sometimes
outstanding, collection of privately collected works. Here, as with everything
they did, the Medici - rulers of Florence off and on for generations - packed
them in by the cartload.
Works are presented in chronological order,
giving viewers the opportunity to see the whole unfolding of Renaissance art in
the manner it developed. That display constitutes not just an education but an
experience of a lifetime.
Among the works here are the famed Venus by Botticelli.
The Ognissanti Madonna by the late Gothic master, Giotto, is on display. It is kept company by The Madonna and Child with Two Angles, by Lippi, along with hundreds more equally great works.
Outstanding as that portion of the collection undoubtedly is, there is much more to the Uffizi than Italian Renaissance works of the masters.
Among the works here are the famed Venus by Botticelli.
The Ognissanti Madonna by the late Gothic master, Giotto, is on display. It is kept company by The Madonna and Child with Two Angles, by Lippi, along with hundreds more equally great works.
Outstanding as that portion of the collection undoubtedly is, there is much more to the Uffizi than Italian Renaissance works of the masters.
Rembrandt's Self-Portrait as an Old Man is one
example. The Adoration of the Magi by the great German master, Albrecht Dürer
is yet another. El Greco, Goya and Velasquez are all well represented.
The Uffizi remains one of Florence's most popular attractions.
In a city full of outstanding art, both indoor and out, that is quite an achievement.
The Uffizi remains one of Florence's most popular attractions.
In a city full of outstanding art, both indoor and out, that is quite an achievement.
On the 21st of August, 1911 Leonardo Da Vinci's
painting, Mona Lisa, vanished from off the wall of the Louvre in France. On the
29th of November 1913, a Leonard Vincenzo (aka Vincenzo Peruggia) contacted
wealthy arts dealer Alfredo Geri to see if he was interested in purchasing the
painting. Armed with the director of Forence's Ufflizi Gallery, Geri agreed to
meet this crackpot, only to discover he actually did have the painting. Whilst
the investigation, arrest and paperwork was being sorted, the Mona Lisa was temporary
hung at the Uffizi Gallery. Vincenzo claimed he stole the Mono Lisa because he
wanted it returned to its rightful place in Florence.
In 1966 flood
waters from the Arno River began rising at an alarming rate. Within
hours, the city of Florence was virtually underwater and contents of The Ufizzi
Gallery was under threat of being destroyed. When word spread of this potential
disaster, locals, tourists and even foreigners rushed to the city in a bid to
rescue the invaluable pieces of artwork. Known as the "mud Angels",
these volunteers were responsible for saving Florence's art.
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